The Crusell Scholarship

The scholarship was inaugurated in 1987 by the society of Music in Linköping (MIL) and is awarded to promising young Swedish conductors, a category which had been neglected in the scholarship field. The scholarship is one of few in Sweden intended solely for conductors. Its purpose is to promote the musical and artistic development of the scholarship holder. It cannot be applied for and is awarded every second year.

The name of this scholarship was chosen in order to honour the memory of composer/conductor/clarinetist Bernhard Crusell (1775-1838) and his special connection with Linköping.

The scholarship holder is elected by a committee consisting of leading Swedish musicians and conductors.

The next laureate will be announced during a festive concert in the Linköping Concert Hall on November 7, 2019 with the Östgöta Symphonic Winds, the same orchestra that Crusell himself directed in the early 1800’s.

Holders of the Crusell scholarship

2001 Joakim Unander
2003 Andreas Lönnqvist
2005 Eva-Charlotte Roslin
2007 Olof Boman
2009 Daniel Blendulf
2011 Marie Rosenmir
2013 Johan Larsson
2015 Emil Eliasson
2017 Andreas Eriksson Hjort


The ambition of MIL is to increase the amount of scholarship money awarded in future. You can assist us in this by making a contribution to:

The Foundation of MIL-fund, Crusellstipendiet, Plusgiro Account No 435 99 07-5.

The Barbro Osher Pro Suecia Foundation is the main sponsor of the Crusell Scholarship.


Who was Crusell?

Bernhard Henrik Crusell (1775-1838) was a Finno-Swedish composer and one the foremost representatives of early Swedish romantic music. Between 1793 and 1834 he worked as First Clarinetist at the Royal Opera Orchestra in Stockholm and was regarded as a great virtuoso.

As a clarinetist he received great acclaim in all of Europe. He was offered a position as First Clarinetist at the Italian Opera in Paris but was forced to decline as he was not granted leave from his position at the Royal Swedish Opera.

It was natural for Bernhard Crusell, the composer, to devote himself to his main instrument, the clarinet. His production in this area comprises chamber music and three clarinet concertos. He also wrote chamber music for other wind instruments, and music for the play ”The Little Slave Girl”. In his later production his music for Tegnér’s ”The Saga of Fritiof” stands out.

It was natural for Bernhard Crusell, the composer, to devote himself to his main instrument, the clarinet. His production in this area comprises chamber music and three clarinet concertos. He also wrote chamber music for other wind instruments, and music for the play ”The Little Slave Girl”. In his later production his music for Tegnér’s ”The Saga of Fritiof” stands out.

Crusell translated several operatic texts, e g ”The Marriage of Figaro”. To Crusell was given the prestigious assignment of writing a cantata for the 1832 opening of the important new water-way through Sweden, ”Göta Canal”.

Bernhard Crusell had a special connection with Linköping. In 1818 he was appointed conductor of the music bands of Linköping’s two Life Grenadier Regiments, a position that was concentrated to the summer months, when the Royal Opera House in Stockholm was closed and the musicians had no salary.

The position in Linköping was one that Bernhard Crusell had for 18 years. During that time he made his mark on the musical life of the city. One highly esteemed event was the series of charity concerts held in St. Lars Church under his direction. From these proceeds a fund was created in 1826, nowadays known as the Crusell Foundation.